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Simoncelli's work quickly establishes a precarious equilibriumbetween a background which is at the same time support and mentalspace, and a mysterious floating surface which might be clothing or astrip of cloth painted or deformed by time.Thus from an unsettling golden magma or thunder clouds, memory emergesas pages from a diary or from a book of memoires that the artist hasfound in an antiques dealer.Alternating with dense and brilliant drops of color which elongate toform stems of bushes or flowers, or triptychs of rose buds areindecipherable writings similar to the cryptograms of henry Michauxand those mystic and oriental "taches" which Simoncelli brings withher from physical and mental voyages made in the Indian sub-continentand in the precious and refined decorativism of this world full oflight and golden transparencies.Simoncelli's variegated panorama of pictorial works, suspended betweenan appropriate decorativism and a constant desire to put order andbalance in a compositional